The Bottom Line...
In
this essay from her 1992 book, Black Looks: Race and Representation,
bell hooks argues that as spectators of mass media (and especially, cinema)
black women have a unique perspective, which she refers to as the “gaze,” and
which is severely underrepresented within both film and academic/feminist film
studies. She describes this
oppositional gaze as a natural response to and outgrowth of the socio-historic
narrative of gender, race and personal identity that is particular to black
women. Finally, hooks
suggests that filmmakers create subjectivities that undermine current dominant
narratives while working to establish black female identity through the recognition of this "gaze" in their work.
My questions for the class are...
a) As media students & moviegoers, can you think of any black female characters in film that have specifically responded to or anticipated this confrontational, "oppositional" gaze in viewers - in recent years or otherwise?
b) hooks proposes using this "gaze" to empower black female characters and undermine the dominant hierarchy. Can you think of any other techniques to employ in film to this same end?
b) hooks proposes using this "gaze" to empower black female characters and undermine the dominant hierarchy. Can you think of any other techniques to employ in film to this same end?
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